Immediately after the First Friday of my "Collaborations in Junk" show was a local Craftacular event. I heard about it shortly before and I thought, what the heck- maybe they have some openings. So I called up and sure enough, they did! So, I had to take more time off work, but I had all the art done. Plus display items hanging around to boot. It ended up being a really good idea. I met some nice people, made more sales and lined up some things for the new year. I hope I can get in on that thing again next year. :)
Here's what my booth looked like:
Tuesday, November 15, 2011
Thursday, November 10, 2011
Collaborations in Junk: THE SHOW
So the show finally came. I got to convert a little empty room into my own tiny gallery space for my junk show. So here's what it looked like:
Croquet folder holders |
Sketches of old photos and old label art with fabric swatches in the mix |
Recycled metal xmas trees and a fabric map of the USA hanging crookedly |
Dolled up tractor umbrella, model T steering wheel and drawer pulls as xmas tree. Plastic farm animal wreath in background. |
Recycled metal trees galore, the one in the foreground has baby food jars as display spaces for tiny objects- here it's for Halloween- so there are bugs in the jars. Rubber, fake bugs. Not real ones. |
Lamp, lantern, ornaments, figures. Yep. |
Thursday, October 27, 2011
Getting Ready for "Collaborations in Junk"
So I decided to have an art show in November to take advantage of the holiday season. I haven't had an art show in quite awhile—never one where I embraced my artsy crafty crossover to this extent. So I started a few months ago by collecting rusty scrap metal (via a special fella I know) and visiting my dad for father/daughter welding time- you know, like everyone does.
I knew that I wanted to do up some junk metal holiday trees, so I got to work on those right away. Here's some evidence of the process.
Then I decided to change it up and consider a show of more repurposed materials and I thought of using old toys as decor. (hot glue, fabric strips and styrofoam ring as base)
Then I got some inspiration about reusing croquet sets in a new way and put my head together with my dad again to come up with a neat idea there- folder holders.
Why not revisit the U.S. fabric map project? (See previous post on that one) Working on that. Sketches. Yes. Put fabric in that, too. Sure!
I've been wanting to use jar lids to make a hurricane candle holder for a few years now- I'm gonna do it! (used phillips and flat head screwdrivers and an awl to make the holes, layered stencils and spraypaint for outside decoration)
And hey- let's do a lamp!
So anyway, that's the idea. I've been making a bunch of stuff and I'm having a show. Shortly after November 4 things will be up on Etsy at melagerie.etsy.com.
I knew that I wanted to do up some junk metal holiday trees, so I got to work on those right away. Here's some evidence of the process.
Dad welding something or another |
Pre-paint |
This sucker comes apart/collapses for shipping or storage! |
Then I decided to change it up and consider a show of more repurposed materials and I thought of using old toys as decor. (hot glue, fabric strips and styrofoam ring as base)
Ok, so I had to supplement with a couple of store-bought bags, but most was old. All was crappy. |
Then I got some inspiration about reusing croquet sets in a new way and put my head together with my dad again to come up with a neat idea there- folder holders.
Why not revisit the U.S. fabric map project? (See previous post on that one) Working on that. Sketches. Yes. Put fabric in that, too. Sure!
I've been wanting to use jar lids to make a hurricane candle holder for a few years now- I'm gonna do it! (used phillips and flat head screwdrivers and an awl to make the holes, layered stencils and spraypaint for outside decoration)
Bottom dish and candle yet to be added |
And hey- let's do a lamp!
Bulb reconsidered. Otherwise, this is probably the coolest thing in the universe. |
So anyway, that's the idea. I've been making a bunch of stuff and I'm having a show. Shortly after November 4 things will be up on Etsy at melagerie.etsy.com.
Saturday, May 14, 2011
Seedy Times
So I went gaga for gardening again this year. Don't worry- it will get too hot and buggy for it to last at this momentum all season. Here's what I've got so far seedlings.
STEP 1: PLANNING
STEP 2: PLANTING SEEDS INDOORS UNDER GROW LIGHT
STEP 3: PLANT OUTSIDE/PROTECT FROM SQUIRRELS. EVIL, EVIL SQUIRRELS.
STEP 4: HOPE FOR THE BEST :)
STEP 1: PLANNING
How tall do these things get and when? Shade? Obviously I need to make a cute box for the seed packets. With dividers. |
STEP 2: PLANTING SEEDS INDOORS UNDER GROW LIGHT
Progression over some weeks- left 2 compared with those at right. Click for larger pic. |
STEP 3: PLANT OUTSIDE/PROTECT FROM SQUIRRELS. EVIL, EVIL SQUIRRELS.
Recycled water bottle method. Asters, marigolds, nasturtium, sensitive plant, magenta celosia, sweet pea, coleus |
Caged vegetation beast method. Basil, gazania |
STEP 4: HOPE FOR THE BEST :)
Monday, April 25, 2011
Retirement Cookie
My Dad finally retired recently from his own biz. That's misleading- he will be finishing up things for awhile, but we celebrated with him close to his "official" retirement date- which was also his birthday. That weekend we also celebrated Easter and my nephew Daniel's birthday. Busy party!
Anyway, I decided to make Dad a giant chocolate chip cookie since it's his favorite. There was also going to be an ice cream cake so I wasn't worried about getting everything else written on there, ha ha. :)
I wanted to get some appropriate decoration on there- his biz logo is a palm tree. I decided to do 2 since there would need to be a hammock to metaphorically represent rest. Even doing that little bit of frosting with piping bags was hard on my hands- I don't know how the pros do it. Kudos to you.
Things I learned:
• Make a regular batch of cookie dough
(maybe don't use entire batch- freeze up a good 1/4 or 1/3. I ended up having to cook for 10+ minutes longer and it spilled over the edge a bit. Be sure to put down tin foil or another pan to catch spill over)
• Roll out on pizza pan or sheet pan
• 300 degrees for 20-25 minutes (or longer if need be-look for browning edges)
• Let set for 5-10 minutes after baking
Anyway, I decided to make Dad a giant chocolate chip cookie since it's his favorite. There was also going to be an ice cream cake so I wasn't worried about getting everything else written on there, ha ha. :)
I wanted to get some appropriate decoration on there- his biz logo is a palm tree. I decided to do 2 since there would need to be a hammock to metaphorically represent rest. Even doing that little bit of frosting with piping bags was hard on my hands- I don't know how the pros do it. Kudos to you.
That's how much counter space I have. Seriously. |
• Make a regular batch of cookie dough
(maybe don't use entire batch- freeze up a good 1/4 or 1/3. I ended up having to cook for 10+ minutes longer and it spilled over the edge a bit. Be sure to put down tin foil or another pan to catch spill over)
• Roll out on pizza pan or sheet pan
• 300 degrees for 20-25 minutes (or longer if need be-look for browning edges)
• Let set for 5-10 minutes after baking
Wednesday, March 30, 2011
Kidtastic Paper Garden
Babysitting jobs are always pretty exciting for me- perfect opportunity for crafting with kids. My friend Nikki was also gonna be there, so hey, this would be pie, right? Well, getting them on board with my idea of a paper garden was a little difficult- there were forts to be made. But, I just started making flowers and bugs and they came around ;) So here's how it came out:
Working hard! |
It's a grass-making sweat shop, I tells yah! (Not really. No child was harmed or even bored :) |
Check out that bug! |
Puffy smiles! |
Finished product! |
Monday, March 28, 2011
Threadbare to Social Fabric- An Illustration in Patience
(This is gonna be a long one, so hang in there.)
This project started out as a flight of fancy for our editor- get an illustrator to use thread to create images and infographics about poverty, the topic of the spring Archways cover story.
Surprise—couldn’t find one.
Take this puppy on myself? With thread? Fabric seemed a little easier to manipulate than thread- so I proposed that line of thought. Ok. Then the cover story was axed, taken over by another author, shortened by half and given to me 2 weeks after the design deadline. I also am not an expert sewer, quilter, embroiderer, etc. Ack!
Luckily, I had a crack team of 2 other crafty designers (Natalie and Krista) who were working ahead with me, preparing for the crappiest embroidery project of a lifetime. You know, on purpose. That was the look. Well-worn and whatnot.
Anyway, here’s how it went:
Fabric. We gathered stuff from store remnants and quilt squares, co-worker stashes and blown-out jeans. I stewed tea for days and had a rack in the kitchen drying stained fabric for a solid week. I even did up the embroidery floss, leaving on the labels in some cases so there was uneven color across the thread.
Sketches. While things were drying, we got to sketching our images. The cover image was the US map, so that was just an internet look-up and printout. There were 2 interior images, 1 that was a comparison of a neat little house with an apartment complex/housing project and the other was a kid getting food put in their backpack, highlighting a food donation program in the city.
We split up responsibilities, and then pulled in finished scans of the sketches into the layout to make adjustments before any fabric was cut. From there we could scan fabric swatches and pull those into the sketches. Then we planned out what fabric went where to make sure there was a general scheme throughout the pages.
Pattern. Like making a dress (or so I hear) we cut out printouts of the sketches and pinned the chunks to scraps of the appropriate fabric we were using. From there we used a fabric glue to lightly glue down the fabric bits to a stiff cross stitch backing. We found out the combo of glue and backing made for a difficult sewing medium, so we tried to keep things “light”.
Stitches. So I’m no expert and I didn’t want this stuff to look like museum pieces. The problem was, Natalie is a bit of an embroidery master and I needed to pull her back. We stuck to simple stitches and even taught each other new ones-which I think helped make these look novice. I even learned one by looking online. Once we chose the stitches to use, we took printouts of the layouts and drew stitch patterns on them indicating placement and sometimes color. We sometimes used hoops for the embroidery process and an iron if the hoops messed up an area when we needed to move them.
Photos. Things change. Nothing could be more true about a project whose quality is expected to be charming but sometimes questionable and 3 different people working with a medium that can morph around. So we photographed it up to see the final product in layout. We were hoping our camera could capture the detail of threadwork we put in, but it could not. Also we are not professional photographers.
We caved and got on the horn with Lane Hickenbottom. We took a trip and meticulously soft styled the heck out of the loose threads and wonky fabric and came up with some nice photos. Which I then burned out and lightened up to make text more legible and images look more old and crappy.
This project started out as a flight of fancy for our editor- get an illustrator to use thread to create images and infographics about poverty, the topic of the spring Archways cover story.
Surprise—couldn’t find one.
Take this puppy on myself? With thread? Fabric seemed a little easier to manipulate than thread- so I proposed that line of thought. Ok. Then the cover story was axed, taken over by another author, shortened by half and given to me 2 weeks after the design deadline. I also am not an expert sewer, quilter, embroiderer, etc. Ack!
Luckily, I had a crack team of 2 other crafty designers (Natalie and Krista) who were working ahead with me, preparing for the crappiest embroidery project of a lifetime. You know, on purpose. That was the look. Well-worn and whatnot.
Anyway, here’s how it went:
Fabric. We gathered stuff from store remnants and quilt squares, co-worker stashes and blown-out jeans. I stewed tea for days and had a rack in the kitchen drying stained fabric for a solid week. I even did up the embroidery floss, leaving on the labels in some cases so there was uneven color across the thread.
Sketches. While things were drying, we got to sketching our images. The cover image was the US map, so that was just an internet look-up and printout. There were 2 interior images, 1 that was a comparison of a neat little house with an apartment complex/housing project and the other was a kid getting food put in their backpack, highlighting a food donation program in the city.
We split up responsibilities, and then pulled in finished scans of the sketches into the layout to make adjustments before any fabric was cut. From there we could scan fabric swatches and pull those into the sketches. Then we planned out what fabric went where to make sure there was a general scheme throughout the pages.
Pattern. Like making a dress (or so I hear) we cut out printouts of the sketches and pinned the chunks to scraps of the appropriate fabric we were using. From there we used a fabric glue to lightly glue down the fabric bits to a stiff cross stitch backing. We found out the combo of glue and backing made for a difficult sewing medium, so we tried to keep things “light”.
Stitches. So I’m no expert and I didn’t want this stuff to look like museum pieces. The problem was, Natalie is a bit of an embroidery master and I needed to pull her back. We stuck to simple stitches and even taught each other new ones-which I think helped make these look novice. I even learned one by looking online. Once we chose the stitches to use, we took printouts of the layouts and drew stitch patterns on them indicating placement and sometimes color. We sometimes used hoops for the embroidery process and an iron if the hoops messed up an area when we needed to move them.
Photos. Things change. Nothing could be more true about a project whose quality is expected to be charming but sometimes questionable and 3 different people working with a medium that can morph around. So we photographed it up to see the final product in layout. We were hoping our camera could capture the detail of threadwork we put in, but it could not. Also we are not professional photographers.
We caved and got on the horn with Lane Hickenbottom. We took a trip and meticulously soft styled the heck out of the loose threads and wonky fabric and came up with some nice photos. Which I then burned out and lightened up to make text more legible and images look more old and crappy.
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